A Jade Terrace

George MacBeth.

the “here take this”

It’s a gallant pose really, an offering made on one knee. But at the same time its a proposition not left worrying about a reply, one given without even an expectation of response. Nothing calculated or insincere- it’s strikes me that I’ve found it at last, the fabled ‘good deed’. The real deal! A bona fide article of unsolicited Rightness- and less than a foot away! I look on patiently, voyeuristically, soaking up all the warmth and meaning you can get from close contact with the Good. Upon close inspection it seems uglier… But then again what did I …I’m not sure I even thought…but there’s a perfect geometrical composition to their relationship and its clear that any realignment- even the slightest intervention- would misalign it, would send the whole scene careering off into murky depths of depravity. So I keep the requisite distance, unwilling (or unprepared) to infringe too closely upon something so magnificent. Feeling the fragility of moments such as these leads you to try and sustain them, to tighten the thin veil that separates them from reality. Above the sky bears in low and brooding, with great battleship clouds assembling in its every quarter. The afternoon acquires a pervasive unease, a sense of immanent danger. The rain is dampening my hair but I’m transfixed. Gutters are spewing, window’s are rattled, the lines and lines of washing hung out in the estates are wrenched and wrought in bedraggled postures, the interiors of office blocks, schools and libraries oscillate in great moans as they’re coiled by the repeated gusts of wind, on buses the work-weary nap and press their foreheads to the windows and all around us peoples cheeks flap backwards, with their hats pressed hard to their skulls, their umbrella’s jousting ahead of them and their faces of stoic resistance: fighting the elements to return to their homes….but these two are hermeneutically sealed- entirely detached from the environment. They project out onto the world an impression of complete co-dependency- just an unashamed need for each other so enshrined that if one had the daring to turn away the other would collapse. Which isn’t to say they love or even like each other (it’s way beyond that). Their need shows the faintly resentful nature of every true kind of dependence. Which is the mutual dissatisfaction that comes from knowing you are trapped in the confines of the ‘for better or worse’, left in the poorer end of the spectrum. Each looks at the other in affectionate derision. A man, his dog and their shared bucket of fried chicken. Slowly- agonizingly slowly for the salivating fat Rottweiler at his knees, the skinny bearded man scavenges around in the festering KFC bucket, filled with its glistening crustaceans. Then he finally takes a piece out, first tears off some meat from the carcass for himself before offering the remains down to the dog (who never declines). After every fresh slab is devoured and its bone gnawed away with precision skill, both man and dog begin cleaning their fingers and paws before moving on to the next piece. The gentle lapping of tongues overlaps with their occasional moans of pleasure and the coarse scrape of incisor against cartilage.  There’s never any delay in offering the chicken nor any satisfaction seemingly gained from doing so- just mans dutiful deferment to the beast perched at his feet. The pair allows a few minutes after the ritual has been completed for what appears just a silent meditation on their surroundings. There they remain for a while in the hollow, sad world that always follows the best meals. Canine and man stay a while to patiently digest, allowing their eyes to get glossed over in pools of reflective bliss. Above the rain ricochets in pin drops against the glass, and the clouds draw further and further in. Then a sudden yank on the black rope lead, and a metallic jangle of dog tags signals their time to leave the bus stop, so that I’m left alone with the wind and the bones. 

One Too Many Mornings

At 6am on Tuesday the 15th of January Paul French, the colossus whose body was that night a vessel brimming to capacity with six pints, three double whiskies and the countless leftovers of neighbouring surfaces, staggered unevenly across the cobblestones of the sleeping street- before departing for the gutter with the agonizing wait of a felled Redwood and a final yelp of ‘OI! OI? Cheryl! Sweetheart, did I show ewe THIS move? Oh my,whh on oh FUUCK” Paul’s six foot frame was next found prostrate in the gutter screaming and laughing - waking up five Mrs. and six Mr.’s in the adjoining houses on Pratt Street with his yells. Some of these felt grateful to have been hooked and yanked from their sweating fever dreams, from the senseless raging of their unconscious maladies.  Some awoke glued to damp pillowcases; others in crusted pajamas with tides of mysterious ennui ringing through them like tuning forks. They lay silent and flat in their crummy rooms vibrating at different frequencies. They poured glasses of water. They forgot where they put them. Everyone groaned. Their fingers idly took reconnaissance missions around their genitals; their cats demurred to their cooing from the moonlit windowsill. Some searched for an entrance back into their abandoned dreams, tried to refashion the spectres that all too quickly where vanishing from their mind. Their alarm clocks spread vicious neon rumours. Regaining consciousness they shuffled through the Faberge eggs of reality to the daily set of neurosis, tasks and arrangements that lay in the centre. After the disturbance had died down on the street far below the same routine of comprehension was taking place up and down Pratt Street in the effrontery of a moonlight all too suddenly there and too brilliantly gleaming off the furniture. Day was rapidly advancing and there was nothing to be done for it. The mutterings to their still snoozing, and snoring, partners of “did you hear that?” were wasted. The heaving of various weights across beds, startlingly, infuriatingly alert in the morning iridescence. Attuning their minds between bursts of grainy static and the aftermath of obscenities from the street below, to the chaos of their digestive gurgling-the sound of a distant siren whistling along the bypass to its denouement.

There’s something Neanderthal about our morning selves with their bare feet padding along the dark corridor to yank the bathroom light cord. Warming themselves over coffees and haphazardly sending landfills of cereal into their bowls. Leaning dopily into mirrors to inspect their inevitable decay. Men grating layer after layer of their skin off in the great cats eye, allowing the blade to stealthily cleave through the foam. Finding as ever that the morning inspection doesn’t soften the blows. Each one of their insecurities remains as recognizable as the night before. Faces bare every sign of over familiarity to their interlocutors. If anything their impression is worsened by the wan drapery of sagging cheeks, the catatonia of the zombie stare and the deep trenches that are dug below it.  Neading their skin into its preferred contortions, sending tidal splashes of cold water against their cheeks and dislodging those strange barnacles that form in the corner of their eyes- the people before noon prepare themselves for IT, whatever it may be…

Pocket Money

Sorting through the detritus of his pocket was something Peter took great pleasure from. The juxtapositions it threw up were a haphazard sketch of his identity (some grim autopsy of modern life). Picking through this mound of rubble seemed a way of slighting the elusive ‘self’, of blocking out in charcoal its negative space until it illuminated the page. He wanted to know who he was, and this provided tantalizing hints. At most a week would be allowed for this shit, these articles of irrelevance to familiarise in his pocket and then with a great swoop he would distribute the whole mess on the kitchen table. Receipts for forgotten purchases, 13 pence, business cards from a psychic, the torn pieces of an A5 flyer for… ‘Nagasaki” an East London club night represented by a nightmare collage of domesticity against a background of solarised mushroom clouds, a myriad of foreign beer caps and the crusty green grains of a miserly eighth comprised this weeks selection. What did it all mean? The exercise was one inspired by the crime novels he’d read, in which the devilish P.I. would deduce a suspects location from an obscure newspaper scrap left in his hotel room, vanishing upon its discovery to leave the subordinates in the room once more in thrall to his sagacity. The idea of carrying this bank of information, this analogue database, in his jacket pockets at all times seemed to satisfy one of many possible characterisations within his rich fantasy life; that of the arch-thief. 

The Sea Monkey’s

This is what Jeremiah, an aspirant Italian intern who leant against the rooms doorframe gripping several cappuccino’s, said to the esteemed fashion impresario Michelle Feranne as the latter sucked his vanilla smoothie through a cellulite straw, lecherously stroking his Mac book in an office on the fifteenth floor of the Modelling Agency that bore his name. On the union-jack patterned divan behind him an angular, stern, emaciated Scandinavian girl with immaculately straight bangs of blonde hair and perfect posture was sat skulking and shivering slightly in only her translucent pants. She had been ordered to wait upon Michelle’s recognition and forbidden until then from dressing. His free hand moved intermittently to her goose bumped thigh in a force of habit; as he listened to Jeremiah tell him what he paid to hear.

‘Man, you look deadbeat Mick. Tell me, what keeps you going? Knowing as you do that success, I mean true artful recognition, for you, in your line of work, is only accessible through blink and you’ll miss it stabs of clairvoyance? Waiting months, as you do, drinking these potions’

He gestured to a set of ominous looking bottles with cryptic labels,

 ‘Brewed by these slab-faced doctors and homeopaths, munching on your tablets like a horse- trying to induce this sight into the Big Trend of next Spring to, in a spontaneous flash, be able to pre-empt the rapids of socio-cultural-political-economo-literal-extra-celestial currency. Why put yourself out like that? You work too hard man, putting in these 15 hour weeks, sustaining repetitive strain injury in your forefinger as you click through endless portfolio’s of naked, well lit, bright young things… and for what recognition? Huh? The bastard’s think they know beauty but there is only one direction they are looking, am I right?

Despite not really understanding, at that Michelle raised a manicured hand to his temple in weary agreement, and repeated ‘eeizright’ with his eyes closed. Mournfully he rocked his oily head backwards and forwards as though trying to alleviate some great pressure from his mind and then, removing his hand from the scandinavian’s goosepimpled thigh (which the red marks he left behind suggested had been being treated like a stress ball), leant forward and guzzled his smoothie.

‘…You do so much for this young hungry, fertile industry but, and you must know this, you don’t belong here….’

A final, expressive Slurp of Vanilla was discernable from Michelle.

‘…Indeed you’re maladjusted to this hollow, shallow environment, everywhere trying to dive deeper, get insight, casting a critical eye on the already hypercritical. It as though you have the serene majesty of a lion yet have been imprisoned in the pig’s enclosure, forced to rut with only the filthy, artless slabs of meat for company, conversational detritus to the left and right, everywhere surrounded by their discarded opportunities, their vapid waste! Look around you!…”

 Michelle obeyed, lowering his sunglasses just a fraction to look past Jeremiah to the dozens of rows of interns masturbating, filing their nails, tweeting and tensing their stomachs at their workstations. They all had untouched boxes of salad next to them. A few had crushed their Diet Coke’s into a dystopian mesh of twisted logo.  Their habitat was flatpacked, airy and chrome- an open plan office with exposed brickwork and superfluously filled bookcases acting as partitions. Towards the back of the room he could see the days models leafing through comic books on the many chaises longes. One of them was very possibly bragging about having run into Gilbert or George in the East End earlier, whilst the other smiled indulgently at the Beano. As he looked out Michelle felt vindicated in having recently ordered the office space to be restructured, having done away with the old ‘hierarchy’ of the office seatingarrangement to position his staff in descending order of beauty and youth from his perspective outwards. As he looked out now, the vista receded through leopard print spandex leggings (sans underwear) and translucent black lace blouses in an outward sprawl of nubile, sprightly jouissance, mediocrity and then decay- with the taut and eager for promotion held in absolute centre-stage high definition and the old and saggy sat so far back in the long room as to be little more than imperceptible blurs. It wasn’t of much concern; to him at least, that this meant longer journeys for the old crones who for some reason felt themselves vital to the whole operation of the agency. Michelle got enormous pleasure from studying the Intern’s behaviour in this controlled environment. In the altered, faint way of all childhood reminiscences it reminded him of watching his Sea Monkey’s be spawned and flourish from that mysterious powder, and the feeling of omniscience this spectacle seemed to bring about in him. How they fascinated him so! From that first spark the creation of basic life forms, on your own kitchen tabletop, oh the delight! The mystery of those colourful sachets overrode any background disappointment he might have held towards the eventual sperm-y inhabitants they produced. This early encounter with an alchemical white powder was to prove… prophetic in later life, but luckily he wasn’t there yet. Watching the interns engage in their rituals, studying them undertake these hesitant character-less interactions as they openly bartered their bodies in his marketplace of desire, was one of his chief distractions these days. He considered this piece of social engineering, this restoration of the natural order, as he understood it, to be one of many masterstrokes in a blossoming career. An archetype of his species, a foreign envoy sent forward from amongst the most youthful, Jeremiah, continued his speech uncertainly, measuring Michelle’s face throughout for any cues.

‘Remember don’t do, as they actually want, do, as they might want if they got around to properly considering it. Don’t forget Micky that your job is the manufacture of needs, you’re here to decide what the wallet-warmers want. So why waste your time trying to figure it out, with all these focus groups, these charts and predictions? The shitmunchers will gladly oblige, whatever. You can put down your crystal ball and allow yourself some stability. Why not make the conditions in which your waldorf can detoxify at a normal pace beneath that radiator torso? You know, Terry told me this in confidence but its no wonder you’ve been finding it hard to—-’

Michelle raised a hand- although he still felt curiously low, the sight of the intern’s and Jeremiah’s soliloquy had reenergised something in him.

“You are so young… it is not your fault, but you ‘ave misunderstood Jeremiah! That OH the not knowing, the mystery… well zhat’ he paused and closed his eyes.

 “is the ‘hole magic of it!”

And with a dramatic swivel of the great leather throne he turned his back on the lingering intern.

“For this edition,we are looking for four line poems on the relevance of geographical perspectives on the history of ideas”

Once i’d got to grips with the theme i had an attempt. 

And titled it,

A FOUR LINE POEM ON THE RELEVANCE OF GEOGRAPHICAL PERSPECTIVES ON THE HISTORY OF IDEAS, BY GEORGE MACBETH, AGED 19 & 2/4’s

The four-line poem is one throughout which

Our chattering, pearly eyed, bard is assured

Whilst his credited words scrape the white into bars,

That he writes and flourishes and thinks inimitably. 

The New Shirt.

I

I inherited a tshirt by way of my sister a few days ago “I bought it on the assumption that Josh would like it but as he didn’t I thought I’d give to you, aren’t I kind?” I heard her crackle through the hidden ventricle in the phone where the sound comes out, with the crunching of tires and brakes in the background.  From this introduction I wasn’t prepared for what took place. For the widening in my parameters of taste, in what is, and isn’t, acceptable to wear on your torso. For the adoration and gratitude I now have for this chance encounter. For the undeniable fact is that this commodity (and it pains me to slur the shirts creative majesty in such a way) has hollowed out a place in my heart, without me knowing why. What is it that makes me view its impending wash with such fear and envy of the time that the washing machine will rob me of its company? Why it is that whilst wearing it around the streets today I felt it enhancing the lives of every drone It passed, felt it reconnecting them with their senses of humour?

My desire for the object flickers around it metonymically, so that its beauty glimmers in corners- in things entirely separate from it, in the margins of its transatlantic emigration, in the varied forms it could have transformed into in the last half century, in the whole fragmentary chain of relationships that dangles behind it like a thread. Tracing its evolution seems a Sisyphean effort to bring the object down to earth, to evacuate its mystery.

Whilst for me the shirt stands symbolically above and beyond its appearance, I feel I should at least give you an indication of what it looks like. Starting with the word “FLORIDA” which is stitched in an intricate lattice of colour on the front of it. Around the multicoloured letters of the curly typeface we find a whole menagerie of characters and symbols assembled. Underwater reeds sway at the serif’s of the letter’s F, R and A whilst on roof of the ‘F’ can be found a woman reclining in a strapless red bikini with one hand idly tracing the black onyx of her hair. Upon the neighbouring roofs of the R and A we observe a bald man in pink trunks wind skiing, although the activity can only be inferred from its blunt rendering here, and on the distant final letter another bald man in black trunks wind sails towards a precipice. Enjoyment of the tableau is in no way lessened by the craftsman’s obvious neglect of which way the wind was meant to be blowing. Plunging from the crest of the ‘D’ a dolphin pivots to the depths below whilst elsewhere an unspecified tropical fish pokes its head out of the ‘O’s giant porthole. So both the surface and underwater depths are shown as interwoven into the harmonious fabric (literally) of Florida’s way of life, each making space for the other in a union of aquatic paradise.

As the punch line to this gloriously delusional depiction of the American dream, like a sub-heading, the word “Destin_” is stitched in gold beneath. As though the utopia of stress-free WaterSports envisioned above was the goal of a community hollowed by Vice and crime, their true innocent ‘Destiny’, but that the t-shirts creator underwent a damascene conversion about including the statement and so chose to pass it off as the town DESTIN on the North-West peninsula of Florida instead. Or perhaps the machinist suffered a fatal coronary at the sewing machine in the sweatshop whilst swivelling the shirt into position for the “y”- leaving the final ‘n’ to send its flick tilting hopefully upwards into acres of blank space. Like an imperfect coda suggesting so much more.

I find it hard to see the shirts creation, in the form it reached me, as anything other than a collaborative effort, as some great act of osmosis obtaining between designers, Brain-stormers and exhausted lackeys. Oh and did I mention it’s tie-dyed? Yet for all the sandal-wearing, ponytailed flyer distribution that this suggests it is tie-dyed in a cranberry pigment so garish, so brashly, violently there that a head-on confrontation seems to overwhelm your sight and send you staggering back like a Jedi from a force field. In all its swaggering domination of your visual field the shirt serves both as a baffling testament to the nation it was once presumably bought, worn and made in as it is a redneck dare, a provocation that bristles and snarls at the viewer to ‘just fuckin’ try’ and avert their eyes. The closer you peer into its warning light arabesque the headier the reaction. Smoky patterns lace across a surface through which the screaming red flares of ambulance sirens are sent, the phenomenology of a roadside accident…on a piece of travel memorabilia…which suggest histories… and hidden traumas you’d rather not explore but cannot help trying to envisage…………………………

II

….I can imagine its second owner, Jake Wright or something utterly benign,first encountering my shirt whilst stoned in the blazing Sunday afternoon of a ‘yard sale’ and purchasing it unknowingly within a greater Ganesh of sleeves, bundled clothes and ‘pants’. Then at home, whilst sorting through his horde, can see him emptying out the contents of his arms to find the t-shirt curled within the various basketball vests and watching it fall to rest on the bed in front of him like a baby on a doorstep. Like Moses in the reeds. He’d have felt upon that first glimpse the same interior rearrangement of desire that I did. He would have felt the unmistakable lurch of something else making way to allow this new object room in his life. First he would have tried it on. Their requisite courtship then proceeded gradually from stolen glimpses in hallway mirrors to family mealtimes spent in neurotic paranoia to the carefully chosen social debutante from which point onwards he felt absolutely at ease with the t-shirt. They where together throughout his senior year, as he allowed it to become a ‘staple’, ‘one of his quirks’- a beacon by which he was identifiable. It would become a canvas for hardened stains of semen, dried scabs of pizza and the burns of his joint’s ash. It could even be found illuminating the miniature window of his yearbook photo.

 Its third owner I see as Jake’s embittered ex-girlfriend Casey. Some time after she had walked in to see him pressing Lacey Fuckfeatures against the fridge, with his hand buried in her jeans, on that fateful night at TJ’s end-of-term party, after the tears, after the four pounds she shed and after she completed the fifth re-run of When Harry Met Sally and, at the bequest of her mother, had thrown away the makeshift Voodoo doll of Jake- Casey got around to considering the Florida shirt that was hanging in the back of her wardrobe. The problem was that despite having once competed with it for Jake’s affections she couldn’t send it to the funeral pyre of photo’s, cheap valentines cards, Ska mix tapes and various stuffed farmyard animals he had gifted her over the years.  Because she too had been taken in by this item’s peculiar charm- its smiling evocation of a gentler, less aggressive time than the one she inhabited. An era when, presumably, holidaying retiree’s acquired an item and a tan from every new destination they visited not out of irony, but from a desire to preserve in capital what they felt unable to in their memories. When hippies were still culturally interesting and marijuana was subversive. When you could count the tv channels available on two hands yet spent too much time prowling the gardens of the neighbourhood with your slingshot, or talking to your imaginary friend to bother. It came from a time when the Lacey Fuckfeatures’ of this world would have had enough self-respect to resist the slimy drunken gropes of the Todd’s and enough clothes on not to have enlisted them. “And besides oversize t-shirts where back in fashion!” Casey sung gaily. So instead of throwing it out, she resolved to keep it, but cleanse it.

Which is how we pan the camera to her stooped in the attic over a bucket of red dye, wringing out the shirts every association with her ex. Then see its brilliant red trailing out from under her jacket as she runs across the piazza eternally late for her seminars throughout her first year of college. A few owners down the line, once her feckless roommate Stacey had borrowed it but left it behind drenched after a foam party in a bar to be acquired from the lost property by the zealous barman Mike who, after graduating, thought it stood out within his new wardrobe of suits and fleeces and so bestowed it upon his newly health-conscious father Ted for jogging in; we reach the recent past and find the ugly intrusion of capital into this as yet organic story with the dawning phenomenon of ‘vintage’. We find Ted’s granddaughter Daisy hungrily scavenging through his mothballed wardrobe for stock, salivating as she picked out items to sell at her store; viewing in each Hawaiian shirt and stonewashed pair of Levi’s a tongue –in-cheek humour, this wry judgement on post-modernity, which would elevate the clothes, and more importantly their owners, to a hip knowingness they had never before known. With this new passport the Florida shirt flitted nomadically through ever-cooler thrift stores in ever-grittier edges of cities, its increase in price roughly proportional to the declining level of emotional investment the callous owner’s gave it. From its origins in an accidental purchase it soared through price tags of $12 to $14 to $20 yet never again felt the warmth of a Jake or a Casey. The majority of its time in these years was spent crumpled and unwashed in a studio corner, cleaning guitar strings and praying for salvation. Finally, via art school openings, onstage drummers too numerous to mention, fanzine release parties and a budget airline, fate threw it across my sisters path. And so I marvel at this bloodline stitched in its fabric and find my place at the bottom of its family tree.

I wanted to get to grips here with why we’re compelled towards the item we are, and are repelled from the others or something equally pretentious, in a vain hope that a wider point would present itself- but I don’t think I did and I don’t think It has. I’m no closer to understanding the attachments I’ve formed with the inanimate, at the expense of the animate, or even answering how long these bonds will remain before they fall out of my favour. Or answering what it says about me that I could find, or would look for, warmth in something as essentially vapid and spiritually hollow as a t-shirt. All I can say is that after this pointless exercise in justifying a type of ‘bespoke’ commodity glorification to myself, it’d feel too rich to once more offer the shirt as bait to the ruthless, glistening jaws of capitalism and so here its story should finis-

Fresh Ugh’s

I wrote this for the piss-poor KCL student newspaper “Roar” a while ago (sample article ‘I’ve lost my boyfriend to the new Call Of Duty- Sophie explains how the release of the new first-person shooter put her in second place!) , however upon publication found its assured place in the paper surrendered to six pages of vacuity upon the recent student riots. So here they are, my impressions of Loving Beer And Uni in full:


                                                   FRESH UGH’s

A classic urban growing-up story

Down it  PASTY!” belched Big Marco. A Nickname! Already! I laughed because it made me feel included, this having my whole identity ground down to two syllables in a way that my actual birth name hadn’t quite managed. It felt like a clean break, university- it was a blank slate on which I could plot my future. I felt sure that here, in the shade of Robert Smirke’s fine façade, I would leave the chrysalis of plain old rural George and emerge as the urbane wit on campus henceforth known as “PASTY”. So far it was everything I had been led to expect. Dutiful to Marco’s request I sustained my fifth snakebite of the evening. Then suppressing the, really very strong, urge, to plaster the front of my KCL branded hoody in regurgitated Bolognese, I made my way to the bar. As I got up I looked around at my new friends. All assembled around the table with their drinks held aloft like Olympic torches- an amber tribute to the hope and solidarity of a new intellectual generation! Big Marco, Alex “the great”, Pete (A Socialist moonlighting as an Anarchist!), Rahim, all of The Kate’s: K,P,L, and (Katie) B, Casey (From the united states!With long pink hair!) and finally “Broadstairs” (that being his only distinguishing feature) – My chest swelled with pride and my heart suffered slight palpitations as I framed the nobility of their cider blushed faces with my camera lens and considered what Banter we where bound to reap from our nine thousand pounds, together…

“So here we all sit”, I thought, “held up high in the sky at the start of something magnificent, inching towards the crest of the rollercoaster’s descent- peering cautiously in the distance at the three loops”… and…without warning I began to envision us three years down the tracks in our long black robes, filing beneath the great elms on the west side of Russell Square. The brilliant august light will shine in pools on our Mortar Boards as we’ll sneak off together for a cigarette break before the final graduation ceremony. We’ll smilingly reminisce in the midsummer glare about how funny it was that Kate L and Alex had that thing together in the first year. About Casey’s brutal mugging in the second and how ‘Petrograd’ earned his name after the attempted coup against the college administrators he headed in the spring semester of 2013, in this fashion we’ll be lightly skimming from anecdote to anecdote. Amid the wisecracks inevitably some of the Kate’s will shed tears into their Kaftans’, moved by the nearness of the end.  Other’s will seem impatient, itching and ready to enter the real world. At one point Petrograd will take aside a passing first year for a pep talk and wryly impart onto the yawning little brat his wisdom on drink prices, cunninglingus and the pitfalls of drunken BorisBiking.

Then, later on the conversation will pivot to our forthcoming internships in the City. Out of tact, no one will mention Broadstair’s getting a third until the final dance when, under the disco lights in the marquee, he’ll take offence to Rahim’s passing aside on it and swing a punch, recruiting the hockey boy’s and slurring ‘well whats so fughin great about golhman sachz anyway?’ into his face. Katey B will also take advantage of the courtesy Cava to pour out her true feelings to Kate P in the nearby Chicken Cottage; that she had loved and wanted her from that first moment she snuck her slender hand in the air to passionately defend Charlotte Bronte against the professor’s derision. Kate P’s non-reciprocation is about the point at which the bonds keeping the old gang together will start to weaken. And weaken. Until our jet-setting occupations and dearth of trustworthy babysitters will make the old Tuesday, or even Wednesday Pub visits impossible to fit in the diaries. And as nostalgia, addictions and time play havoc with our memories we’ll find those christenings, sex scandals, round Robbins and funerals to be the only link left with the past.

Until fifty years on, whilst helping with his grandsons history project on ‘The Liberal Education System during the Pre-Market era’ Big Marco will discover, stored in the depths of an old dust-sheathed USB in the garage, a pixelated picture of them smiling, pouting and given single finger salutes in the Waterfront that night, and with a dry chuckle he’ll shake his head of silver locks.

 

The Dead Father

Primarily a short story writer (and an acknowledged force majeure in that domain) Donald Barthelme should also get recognition for his longer fiction, in particular the extraordinary novel The Dead Father. Barthelme is a Post-Modern puppeteer, who lets absurdist exchanges dangle and dance on the page free from either the shackles of character or plot, leaving the dialogue only movement. And movement there is in abundance in this strange, ferocious and brilliantly satirical piece of surrealism. It challenges every dogma you might have about serious formal experimentalism being ‘challenging’ (as Gaddis, Finnegans Wake and co might make it appear) by in fact demonstrating how liberating and pleasurable it is to find the narrative voice moved in directions it is unaccustomed to. To find your conventional expectations about progression, setting the scene etc subverted in such hilarious fashion is enormously refreshing (for example chapters frequently begin with punchy reductionist stabs at ‘setting the scene’ which are phrased like an anorexic Henry James paragraph: ‘the countryside. Flower.s Creeping snowberry. The road with dust. The sweat popping from little sweat glands. The line of the cable.’)

The ‘action’ (here a completely out of synch phrase) loosely focusses on the eponymous ‘Dead Father’ who is a ludicrous behemoth being dragged through several medieval and modern kingdoms by a cable attached to his leg on a mysterious adventure whose end-point is left shrouded in mystery until exactly the right point. Accompanying the Father (essentially a stretched-out pun on the vestiges of patriarchy, and role of traditional masculinity and parenthood) on his journey are battalions of dutiful soldiers and a small entourage of charachters who we would take for brother’s and sisters where it not for their persistant incest. Half way through the novel switches into ‘A Manual for sons’- a ‘manual’ which offers wry, impassioned, poignant and just odd advice and information upon Fathers. 

I’d thoroughly recommend it for anyone who believes experimentalism to be a joyless exercise in robbing the novel of its escapist, romantic tendencies (if indeed there are such people) or just anyone contemplating a vacancy in their reading list…

Why I gave you my money

Why i gave you my money 

(RE: The WWF tiger sponspership scheme)

Was it the breeze? The conkers? Some cosmopolitan alienation? The Maple leafs everywhere fringing the pavements around us? That as the proximity between us lessened I approached you held in the glow of a single sabre of golden sunset, which pierced through the crystalline air as though diverted through some light box ventricle back along the line? A single sliver of sunlight seemed then to be perfectly tracking my procession along the Strand towards Trafalgar and if I recall rightly I was squinting at you. Or was it that for the whole day the melody to Sam Cooke’s change is gonna come was gathering to fruition in my mind? It was being hummed somewhere in the margins of every conversation I entered. Flickering on and off in static adjustment. Until I was cast into a kind of meditative trance on the phrase ‘its been a LaaHNG time’a comin, but I’m a fraayah-ahd to die-ah-ah’, feeling its cadence in the jilt of my biro within the days lectures, seizing on the strangulation his voice reaches at ‘afraid’, wondering, in a kind of nebulous off-centre way, about whether such bare soul could ever be stitched onto vinyl again in the same way. So was it that as we crossed paths, you in your orange nylon windbreaker and a face casting every direction in hopeful effervescence, I had just overcome the bridge that lyric presented and dragged my eyes from the scuffle of gum spotted pavement to the golden beam ahead of me and the internal combustion of old Sam’s voice sending “A Change Is gonna Come OOOOOOH yes it is” shuddering through my bones? And that furthermore it had been one of those Thursday’s that seemed to hollow you out in desperation for warmth, any anonymous comfort, to arrive? But that instead lingering glances went unreturned, texts vanished into the limbo of the others inbox and so the hollowing just got deeper, hollower, until I felt a kind of penultimate week-end ennui take hold? It seems likely. And that the prospects of it releasing its hold, when I reached a flat emptied of flatmates and food, and filled instead with the filter-down noises of upstairs arguing then having violence-tinged, reconciliatory sex, where so very slight. The likelier alternative being that the ennui would tighten its grasp in the form of a suffocating, yet half-hearted, period of self-loathing which would eventually culminate in blank, almost zen, contemplation of the self-restorative facebook homepage.

So when you materialised in front of me, crowned by the silhouette of Nelsons Column in the distance, and I turned up my sight to the faint aria of ‘a change is gonna come’- I knew instantly what had been offered to me by the grindings of fate. Understood, irrespective of the particulars, the general that was at stake here. So I slackened my pace, to the irritation of the mass of hurried overcoats around me, and paid you attention. I looked in the hood as you quoted statistics to me about diminishing quotas in the wild. As you snarled in a cute imitation of the poachers and pursed your full lips in agony at the possibility of the future’s children entering a world in which Tiger’s where just a myth. How you gesticulated with the clipboard and never broke eye contact. And throughout I felt it releasing its grip; letting go with a swiftness that was almost comic.  I skimmed breezily across the requests you made, as pliable as a tree in the wind. ‘Yes- sure, just down here yeah? Just up the road actually, I’m a student you see. Great- yknow I’ve been meaning to do something like this for a while, always did have a soft spot for the stripey buggers..’ etc etc. So if you want to know why then fine, call it charity as ego massage, compassion as aspirin. And you can abandon the frown because we both know that’s how the coffers accumulate. You sent me off embalmed in a restored self-satisfaction, not a care for a species but my own, and my distinct shining radiance within it.  Certain that after such an act of benevolence I didn’t face any danger of extinction! Each stride seemed to give power and purpose to the next and, as the heady scent of roasted chestnuts caught me on a breeze, I grinned and raised my head up high. Feeling every inch a titan, a philanthropic titan of the secular age! 

Twitching in the margins of your vision.

Twitching in the margins of your vision.

Its swerving and cursing ever nearer

On its titanium frame

The observance of an era

Guided by its fear,

Who’re they? 

On and on and on

And on the night bus.

Unable to hush the

Flat carol song of myself.

Trapped in the tube as the pipe cleaner

Flushed it out. And then…Christ! Or so I thought…

Not one announcement! Few nylon squeaks

No three second chime,

Not the slightest

Word rung through

The still. All along

Platform 6 figures buckled

To the under ground beneath them

In silent exultation. Ran

Their fingers through their lank workday hair           

Eyes pursed- their crowfeet leaking-

Coffee desert mouths agape, unspeaking

Children coyed from reverence…

Into this brief communion staggered fragments of last night:

Huh?      “I love this song!”   ‘How much?’    Re-chewing 3rd handgum         TALL Tales

[shouting]‘, COOL, Where in Sweden?’      The bitch christening me ‘awkward george’

Smiling uninvited on cracked Soho paving              in some Club-fisted embrace.

Stroking my beer            Pissing on a church corner         ordering a Chicken sedative.